In which genres earning money on musi cis not embarrassing? Can a real artist create only when he doesn’t make ends meet? Or maybe art and money can go hand in hand? Is commercial succes related to an artistic compromise? In a word, is it possible to be and artist and make a good living?

Tony Duckworth (PIAS), Daga Gregorowicz (DagaDana, Dobre Bo Dobre), Cyprian Buś (Front Row Heroes) and Gabriel Jung (Rzabka) will answer to those questions.

A panel moderated by Michał Wójcik